Showing posts with label New York Fashion Week. Show all posts
Showing posts with label New York Fashion Week. Show all posts

Tuesday, November 8, 2011

HELLO WES GORDON FROM NYC!

Posted by Fashion Editor at Large

Apologies for the radio silence yesterday. The Fashion Junior at Large was having a catch up day off after working several weekends over Fashion Month. I was at Grazia, and upon arrival home, instead of blogging the below story as intended, it dawned on me that we were one week into November already and set about doing the dreaded but necessary admin required when one has a business, a full time member of staff, tax, VAT and all that annoying jazz. Now my To Do list has been tamed, I bring you a new designer name to know.

Meet 25 year old fashion designer Wes Gordon from New York City by way of Atlanta Georgia. I haven't met a young designer like him in a long time. There is a professional assuredness and silky charm about Wes that harks back, I imagine, to Paris in the early 1950s when male fashion designers wore tailored suits for work, called their lady clients Ma'am and were as smooth and smiley as an A-List actor when hosting their trunk shows.

Wes, sans jacket, but in perfectly pressed trousers and a box fresh Gucci shirt, with his Spring/Summer 2012 collection. 

This makes sense when you hear him speak about his personal mentors Oscar de la Renta and Tom Ford, and definitely DOESN'T make sense when you hear he trained at Saint Martins. However I definitely put his preternatural confidence down to the combination of his Southern charm and an expensive private education (he attended the swank Lovett Preparatory school). His story is total manna from heaven for American editors and buyers, who, of course, love him. SAKS bought his very first collection in February 2010.

Wes came to London a couple of weeks ago and hosted an editors lunch in the private dining area of The Wolseley, organised by the Finch &  Partners agency.


Wes Gordon SS12 

I reckon it takes balls to tell your parents that "no, even though you want me to be an investment banker, I want to follow a career into fashion and become a designer." Still, they clearly handled it well, enabling Wes to put his career plans into play. "After doing calculus and school homework I would attend the local art institute to develop my drawing and build a folio for Saint Martins," he says. "My mother also helped me get a placement at Oscar de la Renta."   

Wes Gordon's cotton Guipure lace evening jacket

Ah yes, Oscar. He interned there each summer between 2008-2010. Wes loved his time there. "Working with Mr de la Renta was truly inspirational. The atmosphere was so couture. House models wandering around...rolls of couture fabric...," he tails off, lost in the memory which certainly has a Disneyish whiff of The Princess Diaries about it.  "Mr de la Renta always wore a suit for work, so I began to wear a suit to work too. After that I was at this side, holding his pins, assisting him. It was a huge privilege."

If you are beginning to form the notion that Wes Gordon clothes are for a certain kind of rich society lady about town, then you would be partly right. The cotton Guipure evening shrug, aka "Porcelain Embroidered Guipure Lace Sculpted Peplum Top" above, (his capitals) is in place, retail price $4000. The ballroom skirt (below) is also there, or rather the "Prussian Blue with Bone Stripe Organdy Gathered Maxi Skirt."

Indeed much of the perfectly cut, and expensively produced 30 look collection for next season comprises the sort of sparely cut cocktail dresses, generously puffed skirtss and exquisite evening tailoring - think  matt sequins, silk linen, silk organza and oddles of python skin - that are ideal for the round of gala benefits.

However that lady is no frump and she knows fashion. She wears her skirts and trousers high on the waist, and is not averse to a pair of python skin short shorts, or a sheer navy blouse with a leather collar. So, yes while Wes Gordon does lady clothes, this lady could be 20, or 50 and knows hipster style, even if she might not wear it. "I guess my main market is 35 to 50" says Wes, "but her daughter is definitely into my clothes. I sell uptown at Saks Fifth Avenue and downtown at Kirna Zabete in New York."
  
A Wes Gordon silk and sequin modern prom skirt. aka "Black/White Jacquard Stripe Tweed Drop Waist Pleasted Skirt wioth Degrade Embroidery"

"This is exactly the sort of piece both a chic lady about town or her daughter could wear," says Wes of the skirt above. He is right. I like the way it smooths the waist and hip line before flaring into the pleats. As I said at the start of this post Wes is an anomaly of old-school charm housed in a modern, mannered young man who is comfortable with cool, but who turns it into something palatable for the ladies.  His clothes reflect old school for the new school, ticking the boxes for what is acceptable in high society. Looking at what an excellent start he has made, and the single mindedness with which he has achieved his goals to date I have a feeling  he might just be around as long as Oscar de la Renta...


Catwalk Images: style.com
Images: Fashion Editor at Large


Saturday, September 10, 2011

NEW YORK FASHION WEEK: THINGS THAT MAKE ME GO WUUUUU

Posted by Fashion Editor at Large

I am not at New York fashion week. Want to be there, but couldn't justify the cost in time out from LFW prep and cost. I try make myself feel better about the fact I'm not there by telling myself that - and this is purely personal - only two handfuls of NY designers showing are properly relevant to the global picture of fashion. The rest are successful and pertinent in their homeland.

My NY stars are Marc Jacobs (+ Marc by Marc Jacobs), Alex Wang, Jason Wu, Philip Lim, The Row, Donna Karan, Calvin Klein, Diane von Furstenberg and Ralph Lauren. Also these days I can't not look at Joseph Altuzarra, Peter Som and Prabal Gurung to see what they are picking up on.

Though, as a side-thought, and in a kinda nostalgic way, I am loving that Tara Subkoff has properly brought her label Imitation of Christ (IoC) back to life in the form she originally created it back in the late nineties. Tara was feted then, and she and her friend Chloe Sevigny (who worked on the label too) were the coolest girls in NYC.

An older and wiser Subkoff did a runway show Thursday at the ballroom of the W hotel in Union Square that doubled as the actual wedding of model/actress Lydia Hearst to a man who, according to Susie Lau is called Miles. Though, from the impression I get no-one thought it was real at the time. Surely turning a genuine wedding into a fashion show (or is it the other way round?) is a fashion first?

N.B  SEPTEMBER 13th UPDATE, The Cut blog reported over night that Lydia Hearst claims she is not married after all, and remains resolutely single. So the most twsitedly cool fashion event of NYFW was a stunt after all!

Lydia Hearst and her un-identified new husband. (Image Racked.com)

IoC, in its original form, showed wonderful, crafty and romantic ways to re-work vintage, and seeing the girls dressed in1930s flapper dresses, and depression-era-seeming tea dresses as they wandered dreamily down the aisle made me wish I was at this particular happening.



I want it all. Imitation of Christ by Tara Subkoff

So, as I am not in New York, I use subscription only catwalking.com for visual close ups, flick onto Graziadaily.co.uk to see what our style director Paula Reed is up to and of course, for its complete hose-down of everything that breathes at any given fashion week, Style.com. I have been a fan of style.com since it began in 2000, and still miss my friend Sarah Mower's writing on there, (she's now at American Vogue's website, critiquing. A site, despite forcing myself to be patient with it, I find painful to navigate) though Tim Blanks and Nicole Phelps have stepped into the empty chief critic position at Style with aplomb.

ANYWAY..I've been dreaming of and waiting patiently for the day that on a catwalk site like style.com, a still catwalk image would be accompanied by a moving image, (what a geek). And this morning, when having some face time with the Jason Wu collection -  massive fan of his work and all that - I saw the day had come!  A button to the left of the image says "move It!" and boom, sure enough when you press said button on look 11, Jourdan Dunn - in a black lightweight parka with a decidedly 40s's hourglass/fishtail shape, gym shorts, and a pink lightweight knit over a cute-collared shirt - look, she walks!

Here are the looks from the show that made me go Wuuu...





Jason Wu SS12 (catwalking.com)

With his Spring/Summer 2012 show Jason Wu has picked up with some tiny trends that were emerging at the last shows, and run with them. Namely peplums, an hourglass silhouette of tiny waist and full volume at hips, pretty pink, acid-ish yellow, decorative collars and wearing the same print top-to-bottom. His look is very European American; and this collection is most definitely for a modern, young and cool version of Grace Kelly. Top marks.

Friday, September 2, 2011

THE WEEK IN FASHION: AUGUST 29th-SEPTEMBER 2nd

Posted by Fashion Junior at Large

Hello there, fashion lovers and welcome once again to our weekly round-up of all the goings-on this week.

First up, this is practically ancient news now but Beyoncé is pregnant! She chose the VMA awards and a Dolce and Gabbana tuxedo to reveal the news. As her performance ended and she undid her jacket to show off her bump (encased in stretchy waistbanded trousers!), twitter records were broken with 8,900 tweets being posted per second.



Sequins and stretchy waitstband, oh the glamour (image from nymag.com)
While we're in congratulatory mood, we must mention the Venetian wedding of Sofia Coppola and Thomas Mars. The acclaimed director looked a vision of lilac loveliness in her Alaia dress- a lesson in offbeat bridal if ever there were one. 




Sofia Coppola with new husband Thomas Mars (Images from stylefrizz.com)

The cover of Dasha Zhukova's debut issue of Garage magazine (via The Guardian)

When launching a new magazine, one needs to get it talked about. Everyone knows that. However, in my memory no-one has done it quite like this before. The cover is a naked girl with a Damien Hirst butterfly sticker covering her parts.  "Peel slowly and see," reads the cover line. And when you do, there is her labia tattooed with a butterfly, its abdomen formed by her pudendal cleft," reported the Guardian today.

The Guardian continues: "Titled Butterfly Divided, it is one of a series of tattoos by famous artists (all men, sigh), including the Chapman Brothers and Jeff Koons, inked onto volunteers (Hirst's "canvas" is 23-year-old Londoner, Shauna Taylor). The works play on notions of who owns the art and what it's worth, while referencing tattooing's popularity reaching saturation point. Asked why she agreed to the tattoo, Taylor answered: "Not one single person can ever say they gave birth through a Damien Hirst piece of art. I can [if I ever give birth]." !!!!  Its not everyday you read a quote like that.

The real Wallis Simpson in the late 1930s


We tipped you off a little while ago about Wallis Simpson as a key style reference for FW11.Yesterday, Madonna's highly anticipated film exploring the life of the American socialite (played by Andrea Riseborough) had its premiere at the Venice Film Festival. While the film itself has received mixed reviews, the costumes, by Arianne Phillips, have been declared an indubitable success. Another very valid reason for a cinema trip is the appearence of James D'Arcy who cuts quite a dash as Edward. Madonna looked rather fab in her custom Vionnet gown, while Andrea was clearly so fed up of her Wallis look (close to the body, tailored, streamlined) that she decided to go for Princess-y froth in Dior couture. 



Andrea Riseborough in Dior (telegraph.co.uk)




Madonna in custom Vionnet with matchy sunnies. I love these colours (telegraph.co.uk)
As we gear up for the beginning of the Fashion Week season, we are happy to learn that Helmut Lang, purveyors of minimal luxe-grunge, are to show for the first time since 2007. Though we have to say, that just for minute there, we thought that the man himself Mr Helmut Lang, still one of the most influential designers that ever breathed despite the fact he retired to the Hamptons in 2005, was coming back to New York fashion week. That really would be something.

Anyway, the show will take place in New York on 10th September and will also be shown live on HelmutLang.com. In other New York Fashion Week related news, due to Hurricane Irene, Marc Jacobs has pushed back his show to 8.30pm on 15th September which is just hours before London kicks off. Not good for London Fashion Week at all. There are going to be some very jet-lagged fashion people zombie-ing about the first few days of London.



Helmut Lang Resort 2012 (Style.com)
Do you love Valentino? Do you love musicals? If the answer was yes to either of those then you will be happy to hear that there are plans for 'Valentino- The Musical', we kid you not! We thoroughly enjoyed the documentary, 'The Last Emperor' which followed the Italian design veteran in the lead-up to his retirement, but a musical? We are reserving judgement.



Valentino in publicity shots for The Last Emperor (Image from www.cbc.ca)

It's Friday and not so long since pay day, therefore there is no excuse not to pop into Topshop Oxford Circus to peruse Susie Lau's Edited selection which launches today. Her choices represent her personal highlights of Topshop's current offering and will be available for two weeks in the special Edited area of the store; a bit of a haven from the mad rush of frenzied shoppers. Topshop's Manchester store also has an Edited space so you can see Susie's picks if you're near there too. For an insight into her favourite books, music and some of the looks she has put together, take a look at Topshop's very own blog.



Susie Style Bubble modelling her Topshop Edited choices. Gorgeous! (Image courtesy of Topshop)
I'm currently on a bit of a roll with coffee table book buying, even though I don't have a coffee table.Anyway, Carine Roifeld's Irreverant is sure to  be an addition to the pile when it's released on October 18th. In the meantime, some teaser images have been released. It looks to us like this is an amalgamation of all Ms. Roitfeld's souvenirs and highlights from her time as Editor-in-Chief of French Vogue, an absolute treat for the those hungry for insider snippets from the closeted world of high fashion.



Dear Carine (Image from telegraph.co.uk)




Young Carine (Image from telegraph.co.uk)
 'The Great Gatsby' which is described by The Times on the back cover of my copy as 'a timeless evocation of the allure, corruption and carelessness of wealth', is having a bit of a moment. Kate Moss is known to be a great fan; her recent wedding took inspiration from the world depicted by F. Scott Fitzgerald. Next week, Baz Luhrmann will begin filming his version with a stellar cast including Leonardo DiCaprio, Carey Mulligan, Tobey Maguire and, reportedly, Gemma Ward. No doubt it will be a beauty with Kate Moss first in line to watch.



Robert Redford and Mia Farrow in The Great Gatsby film in 1974
And finally, we are still loving the Lanvin film we shared with you earlier in the week. By the looks of Twitter, many of you are a bit addicted too. Well, this film, The Wanderer, shot for Dior Homme by Willy Vandeperre is the antithesis, but just as worthy of a look. It's a bit dark, very atmospheric and very cool.






Friday, February 18, 2011

MY TOP 10 LOOKS FROM NEW YORK FASHION WEEK

Posted by Fashion editor at Large

Its the return of our photo-shopped big-heads! Doing this is so much fun. Its amusing to see your own head on top of a models body in order to do a bit of "trying-on". To be honest New York Fashion Week never blows my mind. To my eye there are relatively few actual NY shows that have relevance in the European market; Marc Jacobs, DVF, Proenza Schouler, Jason Wu and Rodarte are the exceptions. Whereas non-catwalk labels like J Brand, Helmut Lang, Theory (though Theyskens by Theory does have a runway show) really make an impact over here. It took a while to wheedle out these 10 looks from the crowds of images, but I like them a lot, and am dreaming of these looks for my Autumn/Winter 2011 wardrobe.  Thought I'd better get these posted before London Fashion Week coverage takes over the blog, which it will in about an hours time with the Fashion Junior's report on Orla Kiely's fabulous installation over at Somerset House....

 This Marc by Marc Jacobs fake fur coat manages to look cool and street, and can be worn with boyish footwear. This therefore makes it a shoo-in for my winter coat.

Marc Jacobs focused mainly on a pencil skirt silhouette, which I liked and it will be very commercial. However, I loved these button up sailor pants, they are so flattering and god knows its hard to find the perfect trousers, I'm still looking for my SS11 perfect pant.

The Ohne Titel girls trained with Helmut Lang, not the label - the man himself (one of my all time favourite designers and a lovely guy) and their work has shades of his urban elegance attitude along with excellent knitwear skills. I've noticed a trend for jackets to have arms of a different fabric to the body of the jacket. In many instances in NY the jacket has what I'm calling "Gorilla arms". As does this one, and I'm fairly sure the curly hair is sheep, not mink, fox or rabbit.

Proenza Schouler - just LOVE

Rodarte's take on Mid-Western prairie style was nostalgic and in some instances - like this one - truly beautiful and uplifting. This party dress is sensational.
I really liked Jason Wu's American West inspired collection, this jacket/dress and shirt combo would be my perfect Milan fashion week look. It being sexy and a bit fierce all at once

Daryl K has that urban elegance thing down; this is pretty much how I dress most days

Jason Wu - in my dreams I turn up to the events looking like this

Diane von Furstenburg's new designer Yvan Mispelaere is doing a good job. This Seventies inspired ensemble is very of the moment. This outfit would be perfect for a high powered fashion meeting

At times Alexander Wang's show and collection looked too busy and complex, but this - one of the final exits - was elegant, modern, simple and can walk straight off the runway and into my life.

Tuesday, February 16, 2010

THE DIGITAL FASHION REVOLUTION

Posted by the Fashion Editor at Large

I remember when I first got a laptop,  it was darn heavy. My first mobile phone was weighty. And dial-up Internet access was so slow I used to want to bang my head against the wall of my very 90s loft apartment in De Beauvoir road that my girlfriend Sonja used to whitewash from top to bottom every six months. Maybe it was all that white that drove me mad? ANYWAY.  Today I was reminded of those moments of technology frustration when I sat down to watch the Rodarte show live streamed from New York via Showstudio.com about an hour ago.

At first it was all good, and my tea-time interlude was accompanied by a nice strong cuppa and M&S jaffa cakes. Then Sarah Mower texted to say she couldn't get a picture. While feeling all smug that I could see Anna and Grace taking their seats and Kirsten Dunst being interviewed, the lights went down for the show and...the screen went black, and however hard I clicked and closed and re-opened the browser it remained resolutely dark. That was the end of that then. I'll probably be able to watch it later, but it won't be THE SAME. Grrr.

This rant precludes what I was intending to write about in this post, namely the digital revolution taking place in fashion and the explosion in fashion film as the medium of the future for designers to express their work and ideas. London Fashion Week has an entirely new arm this season. There is a digital space where designers can show films; Hussein Chalayan is doing one, as are Boudicca and newcomer Craig Lawrence. Hussein is calling me tomorow to tell me more about his film, so I will update then.

Over at the British Fashion Council there is a bunch of dedicated people making this digital thing happen, one of them is Clara Mercer. "The digital fashion revoution has been happening naturally; London is the worlds innovation capital, and we are the first of the global fashion weeks to have a dedicated digital space. Fashion has embraced online, and we're taking it to the world." she says. I'm looking forward to seeing how some of our most visual designers make use of the fashion film medium. Its something that excites me much. And also makes me think of McQueen again, and his unforgettable last show - Showstudio's brave and brilliant livestreaming try-out session. Lucky that I was there.

Fingers crossed for LFW. It's only a revolution when it WORKS!

http://www.londonfashionweek.co.uk/digitalschedule (to find out how you can get involved with fashion's digital revolution)
http://live.showstudio.com/ (for Rodarte)

MY NEW YORK MODEL CRUSH: TATI COTLIAR + STYLISTS HIT THE RUNWAY!

Posted by Fashion Editor at Large

Tati modelling Marc Jacobs AW10  
  
Tati modelling for Rodarte SS10


Tati's first shoot

One of the fun things about doing shows, is spotting new modelling talent. It has been the same faces on the runway for a few years now, so the Marc Jacobs show last night was a pleasure as his casting agent worked with a rich new seam of new modelling talent. Tati, (above) is a teenager from Buenos Aries who gave up studying cinema to model. She has been working just a year, and yesterday opened the Marc Jacobs show, which signifies she is seen as a rising star. Tati also stars in the new Vivienne Westwood campaign photographed by Juergen Teller, but he doesn't capture her beauty at all. She is my new favourite brunette (sorry Freja). Better still Marc decided that size two teenagers were not the only choice for his runway, and he did a bit of studio casting, picking two of his creative stylists, Camille Bidault Washington, (below) and Suzanne Deeken, (bottom). Maybe next season Marc could do a spot of "street casting" at the Fashion Editor at Large office?



Picture credits: Catwalking.com; Reed+Radar