Showing posts with label Yasmin Sewell. Show all posts
Showing posts with label Yasmin Sewell. Show all posts

Wednesday, August 24, 2011

CURATORS, THE NEW COLLABORATORS?

Posted by Fashion Editor at Large

Towards the end of the Kate Moss for TopShop collaboration, you could almost feel the braincells at the Arcadia Group (which owns TopShop) head office exercising over what to do next.

Designer collaborations are one thing.  A collaboration with a "stylish person" quite another. A "stylish person" is not and will never be a designer (except for Kanye West, showing at Paris Fashion Week in September so I hear), and there is only so much steam to generate before it all peters out.

So, what next?  Curators, of course! Every major fashion boutique has a curator, a custodian who manages and oversees their institution, your Mrs B (Browns), or Carla Sozzani (Corso Como, 10) figure. Strictly speaking the term should apply to someone who manages a library or museum, as has been pointed out to me on Twitter, but fashion has nicked the term for its own ends.

On the world stage of high street retailing TopShop were first past the post with the idea. Earlier this year they set up their "Edited by" space at their flagship Oxford Circus store, a normal room-sized area for the design team to put their selection of what they consider to be the key fashion pieces. That idea was OK, (though I would always just head to the Boutique section of the store for my Top-shopping) but they really hit pay dirt a few weeks ago when "Edited by" got its first curator in the shape of the visionary young stylist Katie Shillingford from Dazed & Confused. (I still sigh with happiness everytime I so much as think about the divine wedding pictures from her August 1st nuptials.)

Katie Shillingford (via Hanneli.com)
Katie Shillingford's Edited By..(from insideout.TopShop.com)

Instead of creating a collaborative collection, just get someone with an amazing, unexpected fashion insider's eye to edit what's already out there, across basics and higher end product, down into an easy to digest package. Eureka! Not only do you get the vision of one unique person wrapped up, it also means you don't have to trawl the entire shop to find something that will jolt you out of your own fashion and style zone into a fresh new area. Katie's edit re-framed micro-mini dresses styled with Quentin Crisp jaunty coloured hats and animal prints, as more high fashion than high tart.

It makes so much sense, you wonder why the high street haven't done it before. “We needed to update the collaborations idea – mostly because everyone from Debenhams to Asda are doing it,” says Andrew Leahy, head of press at TopShop told me. “People are getting bored of collaborations. We even found with our designer collections that people – especially through our .com - are buying into key pieces, the add-on elements that are not signature pieces from the designer don’t sell because they don’t resonate with the customer.” 

The next "Edited by..." curator is Susie Lau who will bring her magpie eye to TopShop from Sept 1. For London Fashion Week, from 16th September, the curator will be my friend and Fashion East impresario Lulu Kennedy. I can't wait for either Lulu or Susie's edits to hit TopShop in both London and Manchester flagship stores and online, definitely a reason to shop.


TopShop are not alone in this though. Second past the post with a curator concept is H&M who have hired MisShapes DJ and all round fashion muse Leigh Lezark to help launch their shop-in-shop at Selfridges next Thursday. The Selfridges store is also an "Edited" concept, and they too have taken on a curator and it's the first time H&M have gone into a store without their name above the door.

Leigh and the Misshapes

Coat: Curated by Leigh


Dress: curated by Leigh

Striped top: curated by Leigh

Jacket: curated by Leigh


If you want, you can even meet Leigh next Thursday, August 25th at Selfridges Oxford Street from 9.30am. Personally I look forward to seeing H&;M's rolling list of curators for this project. Let's hope that between them TopShop and H&M keep this new curatorial chapter interesting.

Friday, June 3, 2011

THIS WEEK IN FASHION 30 MAY- 3 JUNE

Posted by Fashion Editor at Large assisted by Bethan Holt.

Every Friday I'm going to share a digest of the fashiony stories and happennings that caught my attention during the week.  This week an historic appointment at the New York Times, big girls on the cover of Italian Vogue, Freja and Carine for Chanel and a revealing out-take from my Haider Ackermann interview for POP from last Spring... Oh and what has the International Herald Tribune writer Ruth La Ferla got against Marc Jacobs?
1. Vogue Italia uses THREE plus-size models on front cover....
Tara Lynn, Candice Huffine and Robyn Lawley

2. Tom Ford makes a documentary... And tells the story of Yves Saint Laurent's reaction to his collection for the label...(via the Huffingtonpost)

"When I started to get great press and business [at YSL] started to become successful, Yves became really quite hostile," recalled Ford, "and we had a little bit different taste. I have letters that he wrote to me about it, you know: 'In 13 minutes on the runway you have destroyed 40 years of my career.'"

3. Speaking of YSL, Pilati's Resort 2012 collection revives this delicious print from 1971. Divine...


The Poppy Print revived for 2011/12

4. The New York Times appoints its first ever female editor...   Jill Abramson, I salute you and look forward to your New York Times.
Jill Abramson is applauded by her new her team. I love this picture

5. Karl Lagerfeld wins Gordon Park Foundation creativity award and discusses the leaked pictures of his collaboration with Carine Roitfeld... Sexy!
Freja Beha Erichsen stars in the campaign, styled by Carine Roitfeld

The setting... A photo booth!

Chanel branches into masks?
6. Fascinating " interview " in the International Herald Tribune by Ruth La Ferla with Marc Jacobs ahead of his Lifetime Achievement Award at CFDAs on Monday...

Marc in  make-up from Francois Nars portrait book.

While Marc is smarting that his should be "a half-life time achievement award" there seems to be a darker force at work in her piece. In it La Ferla seems to be suggesting that Marc Jacobs has lost it. She alludes to store buyers from Bloomingdale's, Barneys New York and Nordstrom who "declined to comment on the designer's performance". She also quotes a blogger who says that overall the message of his clothes is "pretty banal". She also spoke to stylist Ms Tracy L Cox who works for SJP among others. Cox tells La Ferla that Marc's "clothes don't neccessarily translate on the red carpet." The pull quote of the article, published today, says "In a survey in 2009, his label was ranked 11th in perceived value and prestige. It plummeted to 25th last year."

7. Haider Ackermann adds even more intrigue to Dior rumours according to the LA Times...
"No announcement has come yet, but Ackermann, who is visiting Los Angeles for the first time this week for a special event with Saks Fifth Avenue, hinted that he is ready for a new challenge. "It would excite me," he said over green tea in the garden at the Chateau Marmont. "Sometimes you're drawing a collection, and something doesn't fit. I have more things to say and another house might help me with this."

We shared a glance at a long table of proper-looking ladies Champagne brunching under the porch, with their elegant handbags close at hand.

"I might dream of a woman more elegant and pure," Ackermann said. "Like those women over there?" I asked. He laughed. "Different, but yes."


Could Ackermann rival Galliano's finale outfits?

When I interviewed Ackermann 18 months ago for POP (SS11 edition, read here),  I asked him if - after turning down the job offer to be Creative Director of Maison Martin Margiela - he might consider working for another house in the future. His answer to me was "My tree is too young still. I need to have strong roots for me to be able to divide myself. Step by step. It took me 6.5 years to be standing here and that is good. Lets not rush into things. I don’t want to be at a house just for three years. If I do something I want longevity. I like longevity. I like intimacy." Hmm. So if he takes on a Dior or a Givenchy shaped job he will be doing it for the very long term....

8. Stefano Pilati tells Womens Wear Daily that he is scared of bloggers... oh and on another note I had no idea Kate Moss and Stefano were such great mates....surely with John Galliano in recovery he is a shoo-in to design her wedding gown? Or maybe her dress IS what Galliano is doing in recovery?
Kate and Stefano at the Etam fashion show in January. These two are always hanging out. (image from Zimbio.com)

“I pay attention to all of them and I’m very scared,” Pilati told WWD. “Because who are these people? I would like to sit with them and ask them where they come from. because it’s very easy to judge from your bed. At the same time, I’m fascinated. I’m fascinated by this era and this medium. If people are thirsty about fashion, I like to have a dialogue, but now it’s not a two-way dialogue: it’s a one-way dialogue.”

9. Can't wait to read American Vogue European Editor-at-Large Hamish Bowles' autobiography... (via avenueinsider.com)
Bowles looking dapper in McQueen
10. Gisele is gearing up to be the first supermodel to become a US Dollar  billionaire... according to Forbes magazine Gisele Bundchen, 30, the model from Horizontina in Southern Brazil is a money machine. Last year alone she sold 250 million flip-flops in Brazil earning her in the region of £150 million, thats before we look at her beauty business (currently for sale), her growing property portfolio and various other product deals.


by Mario Testino

11. ASOS announces massive profits... crazy to think that in ten years ASOS has gone from being worth £12.3 million (October 2001) to £1.6 billion (June 2011) (Source: Ft.com.)

12. Erdem (who looked as dapper as ever at last nights Royal College of Art fashion show) has produced a stunning resort collection for 2012 inspired by Hitchcock and Romy Schneider... I would wear this look in a heartbeat.

Erdem continues to work with lace and beautiful prints in this new offering

13. Alexa Chung unveils yet another fashion collaboration... am I alone in thinking Alexa has got her fingers in one too many fashion pies?

14. Alistair Guy's new portraits of some of fashion's most influential people includes this one by one of my best friends, Yasmin Sewell. She look beautiful, as always.


Yasmin Sewell
http://www.telegraph.co.uk/
http://www.huffingtonpost.com/
http://www.fashionologie.com/
http://www.guardian.co.uk/
http://www.nymag.com/
http://www.latimes.com/
http://www.fashionista.com/
http://www.vogue.co.uk/
http://www.howtozipyourfly.com/

Friday, April 23, 2010

FROM OBSERVER TO PERFORMER. YIKES!

Posted by Fashion Editor at Large

My very dear friend Yasmin Sewell has been curating the Estethica press day for a couple of years now. Last season I got there just as they were packing up. Cue guilt trip. So with my sense of journalistic duty front of mind, I skipped along to Estethica after we, (me and Yasmin, who is advising me and the g/f on our wedding looks), left the showroom of the designer who is charged with making us look amazing on the day. And no, I still have not decided on a wedding dress, though Mary has, and she looks so amazing in it. Grrr.
Loved Yaz's look yesterday. Hat from Amsterdam, jacket, coat and jeans by Margiela, shirt by ACNE, TopShop shoes, Roger Vivier Bag. Paper bag from Whole Foods contained nachos and guacamole, yum!

ANYWAY. Turned up at Somerset House to check out the group of ethical designers selected by the British Fashion Council, with their collections edited for the press by Yasmin, and finally to observe a panel discussion on the future of ethical fashion. I was interested to hear what progress was being made in creating awareness of ethical labels, and how the companies are doing on a business level. But before I knew what was happening, I was inserted into the panel representing Grazia due to Volcano absenteeism. YIKES!

 The view

Yasmin and Laura Bailey

 The PANEL: Laura Bailey, Verra Budimlija planning director of thinktank G2, Orsola de Castro owner/designer of upcycling label From Somewhere, Baroness Lola Young arts & heritage consultant and independent cross bench peer in the House of Lords. Out of shot is Charty Durrant, fashion consultant.

Brain in gear, I reacquainted myself with my thoughts on the subject. My view on ethical fashion is that something has to happen to rectify the disconnect between fashion seasons and actual seasons. Winter coats in on sale in September and bikinis on rails in March are an accepted shopping norm, but should they be? We also need to question a system that demands of designers they produce two main seasonal catwalk collections, as well as two pre-collections annually. High street stores produced a new range every six weeks. It was these points that revved the discussion into gear. 

What we were all agreed on across the panel, is that awareness of ethical fashion/clothes needs to be fostered in teenagers. We also agreed that educating young consumers to develop personal style, rather than chasing fashion trends would be beneficial to everyone.

For me, what emerged from the panel discussion is that it is a darn good thing there are a bunch of people out there trying to make a difference to the way we think about and consume clothing. We need the London College of Fashion and its Centre for Sustainable Fashion. We need the British Fashion Council and Estethica. We need the designers selected for Esthetica to start making a difference, and to get recognition and exposure in the fashion press. Most especially though, we need them to make clothes that are desirable which stand up as stylish, functional, practical, beautiful - whatever they intend for them to be - but in the wider market. Not in an ethical market.
Christopher Raeburn creates functional outerwear using reclaimed, second-hand army fabrics, including leather and parachute silks. www.christopherraeburn.co.uk 

The better ethical designers get at looking as good as the rest, (like Christopher's work above), but with the added edge of green credentials, the more likely we are to see the movement growing. It is the future. Stella McCartney has shown that you don't need to use leather to create amazing accessories. Edun has shown that you can create your own supply chain by growing cotton, and educating and caring for your workforce. There are manifold ways to be ethical.

On a personal, philosophical level I don't believe in consumption for consumptions sake. I find it sinister that we should be encouraged to keep shopping (J.G Ballard's Kingdom Come anyone?) So Primark, Peacocks and Tesco clothing lines are not on my shoppping list. I only buy what I need. But I DO want to support designers who are trying to educate people by creating ethical clothing in whatever form that might come in whether it is non-chrome vegetable dyes for leather; rearing their own sheep and knitting jumpers from them; upcycling, recycling, remaking..

I do find it difficult to find amazing ethical pieces for the magazine at times, but the selection on show for AW10 gave me hope.

Baroness Young was right when she stated "when things change, the two ways need to co-exist for a while."
From Somewhere uses off-cuts from the design process and upcycles them into beautiful pieces, like this one. Established in 1997 it is one of the pioneers of of the UK sustainable fashion movement. IThe clothes it creates improve season-on-season. www.fromsomewhere.co.uk 


Loved this "Madonna" dress in 93% Bamboo fibres by MAXJENNY, they are worth checking out http://www.maxjenny.com/


Carapace gauntlet by Makepiece

Phyllite jumper by Makepiece

Edgeway dress by Makepiece

Here is Beate Kubitz of Makepiece with the sheep that make the above garments! She co-owns the label with designer Nicola Sherlock-Windle, and all of their well-designed - some fashionable, others functional - knits are created using British farmed wool, alpaca, and mohair. http://www.makepiece.co.uk/
Meet Nin Castle of Goodone. Her energy and flair was infectious, and Yasmin told me she could see Goodone going all the way. Nin designs using upcycled surplus luxury fabrics and used garments, she also makes use of end of roll cashmere and British knit. The designer is posing with a mannequin wearing her bestselling and very sexy crochet panel knit dress. Her next project is a collection using all the surplus fabrics from Arcadia Group for a TopShop collection. Watch this space! www.goodone.co.uk

Photos by Fashion Editor at Large and from the press packs of designers shown.

Friday, November 27, 2009

ALL ABOUT THE FABBEST GIRL IN FASHION

FASHION INSIDER  #2  YASMIN SEWELL

Posted by the Fashion Editor at Large

Following on from last month's Fashion Insider interview with Sarah Mower, this month I bring you one of the best buyers in fashion, Yasmin Sewell.



Yasmin is one of the best respected and well-known fashion buyers in Britain, and is something of a celebrity in her homeland Australia. One Aussie summer I happened to be down in Sydney visiting Yasmin for her 30th when I spotted her in a celebrity magazine labelled as “the other woman” in the break-up of a famous Australian actor!!! Far from being the other woman, she has known said actor since childhood, and they were having fun on Bondi when the photograph was taken. Though, that is not to say she hasn’t had her fair share of actors. She was married to the delectable Rufus Sewell for most of her 20’s. Lucky lucky... But ANYWAY. That is not what I am here to tell you. Yasmin Sewell is a great friend of mine, and her story is an interesting one and not what you would expect. Her talent for picking fashion winners is rather prodigious: she was all over Christopher Kane the second he graduated, and was the first to champion ACNE in the UK. Her latest discoveries are numerous. I also admire that she gives her time for free to young designers such as the wonderful J.W Anderson, a talent of the future to be sure. Yasmin has exquisite taste, and her eye for what women want is up there with the greats. She is the creative consultant for Liberty, and at the Liberty press day last week, I could see her influence as clear as if it were her fingerprint. For the cost of a mere glass of white wine (she doesn’t drink much) and a few nibbles, Yasmin agreed to let me interrogate her about her life and career, how she came to develop her famously good taste and end up exercising her buying prowess in the fabulous fashion stores of London.

AND THEN YASMIN TOLD US EVERYTHING!

I left school at 15. I wanted to be free. I was rebellious. The teachers said “She has SO much potential.” I thought “What the fuck do they know?” The truth is I didn’t know what motivation was.

My teacher Mrs Nichols changed my life. She put me forward for a job with McGrath Partners estate agents. John, the guy who owned it, was a 26 year old self-made millionaire and motivational speaker. I got the job as an office assistant. Within three days everything I thought about life turned around. The job became my higher education. I don’t know where I’d be without it. I learned everything about business and running a company. By the time I left when I was 18 I was helping John run the company. Today he is a billionaire.

I call those days my Gloria Estefan period. I was a Lebanese girl in Sydney. I had waist length curly hair and my figure was more curvaceous than it is today. I wore conservative suits to work.

I shaved all my hair off when I was 19 and became the door bitch of a nightclub. After that only the kind of guys I liked would whistle at me in the street.

The single biggest event of my teens was the moment I fell in love with Rufus (Sewell).

Three days after I shaved my hair off I was sat in the Pacific Blue Room, a hot restaurant on Oxford Street in Sydney when Kiefer Sutherland walked in with this weird looking guy. He had these big big eyes. He was staring at me, and I was like “who is this weird guy?” Then a few minutes later I looked back at him, and that was it. It was love. The man was Rufus Sewell. A week later I had moved into his hotel. He was making a movie called Dark City. We became inseparable. Three months later I moved to London. That was it. I was 20.

London was all about building a career. Interning. I liked fashion, but I didn’t know what aspect.

I worked on the shop floor at Browns. I was just discovering my personal style. Then Rufus and I went to New York. I interned at Harpers Bazaar with Tonne Goodman. Then back in London I worked with Alison Edmond at Harpers and Queen as bookings editor.

Browns inspired me at retail, but I felt they had a snobbish attitude to service that was a bit old-school. Well it was 1995. I thought to myself “something is missing here”. John McGrath trained me in service, he is revolutionary. No pretension. For him good service had to be efficient, co-operative and about making the customer feel fantastic.

My “Eureka” moment came when a Sydney boutique called Museum asked me to buy some clothes for them. So I just made a few calls and did it without thinking.

Buying the clothes was such a buzz. There I was picking a dress someone would want six months later. Someone will buy it and it will make them happy.

That period made me. Within a few months I had found a shop that looked like a fashion design studio. It was upstairs, you had to ring a bell to get in and when you got there you could hang out as long as you wanted. I was 22. It took 18 months to launch. I called it Yasmin Cho. Cho is the name of my best school friend. People called me Yasmin Cho for years. The store was about embracing the avant-garde of the time. We were selling Susan Ciancolo, Imitation of Christ. A.F Vandervorst.

I remember seeing Rick Owens in the back corner of some dodgy showroom in Paris in 1998.

His jackets were just amazing. Now he is one of the best-selling designers in the world.

I was surprised that seeing and spotting and getting these designers seemed so easy to me. Was no one else seeing what I was seeing? After a while I realised I must have a good eye. I had no history as a buyer. How was I supposed to know?

I had no rules, no boss, no one saying “look at the sales of last season.” It was just about love.

With Yasmin Cho I took a lot of risks. Some didn’t pay off. In the end I failed. I had the wrong advisors and lost the business. I was screwed over. I let it happen. Failure was a privilege. Now when it comes to business I don’t let people mess me around.

Experience breeds caution. But it doesn’t mean the cowl neck that didn’t sell in ’99 won’t sell in 2009.

You never really know if something is going to work. But when I was at Browns from 2005-2008, and first saw Christopher Kane, I knew. If something doesn’t look like it will work, you’ve got to push it. Call the top five fashion journalists and the top ten customers and make it happen.

The secret of being a good buyer? Being tuned in. You’ve got to know what is happening. I get inspiration from what I haven’t seen. I can sense when a trend is coming to an end.

I listen to journalists. Big customers are influenced by magazines. Sometimes I buy things I don’t love but that the press love because I know customers will buy them.

My biggest success as a buyer was backing ACNE back in 2005. I had just arrived at Browns and when I walked into my office for the first time there was a pile of about 200 look books. I remember throwing them all away except ACNE. That was a good example of liking it because I hadn’t seen anything else like it. Their aesthetic didn’t exist then, and I knew that as SOON AS I SAW IT that it was going to be huge. And it was.

You’ll never see me in leggings and a tank top. I’m very petite – a size 6 – but I’m pear shaped with not the longest legs in the world, a 23 inch waist and a D-cup. You could say I have hidden curves. So I dress to accentuate my best bits which are my long neck and long, thin arms. Me in a pair of Sass & Bide skinny jeans? Yikes! Me in my long Sophia Kokosalaki dress? Yeah!

At one point in my life I listened ONLY to Marvin Gaye for three years.

Today I’m rocking a “portfolio career”. I work for Liberty, do a TV show for Fashionair, I mentor young designers and consult for designer labels and retail brands. I’m pretty happy.

Thanks Yazzy xxx

Yazzy is wearing a top by TOGA. (Last season, sadly)

http://www.yasminsewell.com/

Photo credit: Chris Brooks

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Saturday, November 14, 2009

STOP THE CLOCKS! Nick Kirkwood does FLAT shoes!

Posted by the Fashion Editor at Large

How happy am I? I was wandering through the uber-slick press day held by Relative MO at London's Fashion Central aka Somerset House this week (where everything is happening - even a Tiffany sponsored ice rink, if you please) when I happened upon Nicholas Kirkwood's new shoe collection for SS10.

I am a huge Kirkwood fan. His shoes are beautiful. Wearable sculptures. My friend Yasmin Sewell has the sexiest pair he ever did, black grosgrain high heels with a pearl wedged inbetween the heel and the sole. And he is lovely. A real gentleman; even when we are falling out of Le Baron at two in the morning on one of those very rare Paris nights out at the end of the show marathon.

ANYWAY. The point of this post was in the headline. Up to now Nick has always done very high heeled shoes. And he did do lots of them for SS10 too. But I'm not showing you them, sorry, I was so excited by the flats I forgot to photograph the high heels.

Reason is I'm five foot nine and a bit, so I don't need to wear high heels in my daily life, only when I'm going for car-to-bar/restaurant, an awards ceremony or something - so about once a week. But I do like a beautiful flat shoe, and lo and behold here are Nick's! He obviously picked up on the new fashion mood in the air for a shoe that is not so ridiculously high.

I love how Nick has made his flats so feminine, but not too girlie. He even paid attention to the heel and gave them that sculptural edge he gives his high heels. So without further ado, lets feast our eyes on them. Ok, so "feast" is not really the word. A flat doesn't give me fashion goosebumps, but there is the large advantage that here are Kirkwood shoes we can wear all day and can feel more pleasure than pain.

















I like the ones with the contrast tips.

 
The Fashion Junior at Large (who you will meet very soon) loved these.



These are the sculptural heels I was telling you about.